Poet, Author, Editor, Creative Writing Consultant

Friday, May 29, 2015

The International Lit Bulb Festival: Flash fiction, non-fiction and poetry from Across the Globe.

The prompt: TOGETHER
The limit: 1500 words



My story: 'THE FAREWELL', featured here, as part of the festival. My thanks to Matt Potter.



The Farewell

“Some things go together,” Mrs. O’Brien’s voice cut across to reach Sheila sitting right at the back of the classroom. “For example, apples and oranges, eggs and bread, pen and paper,” she continued.

“Sheila and Tony,” whispered Sheila to herself, trying hard not to smile. That was because she did not want anyone to wonder at her happiness, and also because the smile would expose her buck teeth, something she was more conscious of than the other things. The other things were many; her bigness that made her hunch her shoulders self-consciously, flat feet which made her shuffle, the lank hair she tied into a tight pony behind her head for it refused to fall in waves around her face like Clara’s did.

Clara was the class beauty. Yet, Tony had chosen her. He had asked her yesterday to be his partner at the school farewell party, which was just a week away. He had walked her into a corner of the passageway and held her hand. He had looked into her eyes, touched her mouth gently with his index finger. “Shshh, don’t tell anyone though,” he had said, “let it be a secret. How we will surprise them, wont we?”

She had been unable to believe it and was still pinching herself. She had been touching her buck teeth ever since, wondering how he had put his finger to her mouth and not flinched. Maybe he would kiss her on the night of the party. The idea made her shiver and she closed her eyes in ecstasy.

“Sheila Briggs!” Mrs. O’Brien’s vice rang out. “Is the poet here talking about just apples and oranges or something else? Do you know what he is referring to?”

 “Yes, Ma’am,” Sheila stood up at once, her shoulders hunching, her face turning a sad orange-red.

“Well?” Mrs. O’Brien’s face was a number of question marks.

“He is talking about lovers, Ma’am. Love has blossomed suddenly in his heart for his girl. He likes to say they are like apples and oranges because…” she tried to stop her heart from beating hard, “…because he does not want to acknowledge this love…yet.” Her heart continued to thump. She was thinking of Tony and their unacknowledged love, for what else could it be?

“Sit down, Sheila,” said Mrs. O’Brien, for she could find no fault with Sheila’s answer. “But next time, you needn’t shut your eyes when I’m addressing the class.”

The class sniggered. Sheila was used to this, so she just hugged her secret hard to herself and ignored them.

That night she sat in her small room, waiting for her grandmother and mother to fall asleep, before putting on music to practice some dance steps. She imagined herself dancing in Tony’s arms. She moved slowly with the music, allowing herself to dream of him holding her close.

She was not beautiful like Clara but Tony had obviously seen her inner beauty, her intelligence and her sensitive nature. She had never thought him to be the sensitive type, actually not thought of him at all for he was quite out of her league, but…and she sighed at this, she would soon dance with him. He had touched her lips with his finger. She put her own finger where he had placed his and felt a sense of togetherness, her finger on top of his, and blushed at the thought, drawing her hand away from her mouth. Finally, she went to bed, her body tingling with anticipation.

Sheila realized she would have to tell her mother about the invitation, for she needed to shop for the dress. She had some savings she could use now. Sheila just hoped that she would be able to afford something that fit her well without drawing too much attention to her bulk. She would look for something that highlighted her warm brown eyes, which she thought was her best feature.

The next evening she managed to convince her mother to visit the shops with her, and quite exhausted by the end, she finally settled on a dress of cream satin that had a brown sash that drew in her waist. A fine lace of the same deep brown decorated the hem and small sleeves. The rather wide round neck was embroidered with the tiniest of flowers in yellow. She had actually fallen in love with the flowers more than anything else. Perhaps it was the tinyness of them, so unlike her, that attracted her.

She persuaded her mother into buying her a pair of small brown heels and a diamante clip for her hair. She also booked an appointment at the hairdresser’s, which she would visit just a few hours before the party. She hugged her mother in delight, and her mother did not have the heart to tell her not to set her hopes too high, for usually highly anticipated events did not play out as expected. She just hugged Sheila back, and together they took the bus home.

                                                                                *

It was the evening of the farewell party, and Sheila was ready. Tony had winked at her across the hall the day before, and she had smiled back, not caring that her buck teeth showed. You just needed to be appreciated by one boy to feel special and beautiful. And Tony was not any boy, he was a dreamboat. After the party, everyone would know that they were a couple; that they were together, like apples and oranges.

She smiled at her image in the mirror, the happiness spilling out of her eyes. The hairdresser had done what she could with her hair, and it now framed her face, softening it. The diamante clip glittered on one side.

She would have to walk to the school auditorium, but she did not mind that. She would walk along the river and then turn away from it towards the road that led to the auditorium. There was a breeze blowing, so she tied a scarf to keep her hair in place. She had almost passed the river when the wind grew gusty; the scarf left her hair and flew towards the riverside. Her eyes followed it and she saw that it had caught in one of the hedges. She walked gingerly towards them, not wanting to spoil her new heels. She just hoped that it would not rain, for that would spoil her dress. She needed to hurry. As she bent to pick up her scarf, she heard voices.

                                                                               *

They stood leaning on the side of the car. It was Tony’s red Volkswagen, a car Sheila hoped to get a ride in soon. Tony was smoking, and Clara was looking up at the sky, making a pretty picture. Her short silver skirt, embellished with sequins, winked like a thousand stars.

Sheila, watching from behind the bushes, stepped carefully on the dirt and grass, moving in closer. She wondered what they were doing together, here by the river.

“Sheila is going to be my partner this evening, Clara,” said Tony, flicking ash.

Sheila smiled. She turned, deciding to hurry towards the auditorium, to meet him there. His next words made here ears burn, and she stopped in her tracks.

“Thinks she is Barbie, that I have fallen for her charms, the stupid oaf.” He spat on the ground.

“That toothy Sheila…?” Clara gave a high laugh. “Well, isn’t she in for a surprise when I waltz in on your arm instead?”

“The fool. To think I would even give her a look. Anyway, I am richer by a hundred dollars. Won the bet I had with Harry. Harry told me I would not be able to invite her or even touch her. I have done both, held her hand, and also made her accept my invitation. Now we only have to see her face…”

“Oh, Tony, you are the best. You can pull anything off.”

“Kiss me, then, Clara, to prove it.” Tony pulled Clara into his arms.

Clara, who proclaimed to all the girls in school that she kissed no boy, turned her face upwards.

Sheila stood still. She watched them kiss and kiss again, then drive off in the car. She imagined them arriving at the auditorium, and the sighs that would go up at the sight of their grand entrance together.

She had kept the secret and told no one. She touched her front teeth with a finger, tears gathering behind her eyes. Then she walked slowly down the dirt path leading to the river.

The wind turned harsher, and fat raindrops fell from the sky to merge with the choppy river waters. The mud turned wet and slick around her as she lay there in her dress of cream satin and brown lace, with tiny yellow flowers around the rather wide neck.

She had smashed her front teeth in with a stone, so when they found her, she would look just a tad more acceptable.




Wednesday, May 27, 2015

Book Review of Abha Iyengar's novel ‘Many Fish to Fry’ by Dr. Amitabh Mitra


Book Review: ‘Many Fish to Fry’ by Dr. Amitabh Mitra
Author: Abha Iyengar
Publisher: Pure Slush (Australia)
No. of pages: 170
Date of publication: October 2014
ISBN: 978-1-925101-59-1
Also available as an ebook.
Available here: http://www.amazon.com/Many-Fish-Fry-Abha-Iyengar-ebook/dp/B00OKRD6BO

Abha Iyengar’ novel, Many Fish to Fry is a joyful reading experience.

It talks about Delhi, its people in a kaleidoscopic adventure of contemporary times. Delhi has grown and so has its population, bazaars, malls and colonies invariably known in India as places. Hilarious to the core, Abha explores the cosmopolitan environs of Delhites, their eagerness in living and loving in a crowded thought within numerous such moments.
As a Delhi seeker, I have been reaching out to this city since my teen years. I have seen it changing to a mega metropolis but always a home to people irrespective of class, caste, origins and even nationality. Abha’s search towards a novel within such a milieu, short sections almost like a prose poem, detailing streets, galis and daily ruminations of families living in block of flats.

To my greatest love, she even takes us on a tour of Old Delhi, its garish jewelry shops and craftsmen who live in meager conditions. Abha’s novel revolves around Delhi women, their expectations, desires and ambitions to grow and prove themselves in a vastly mobile economic climate.

The Hilsa, Bongs separated from Bangla and living in Delhi, a South Indian lady, her immediate neighbor narrating the story of their lives brings me the picture of easy style of writing of a possible memoir about a Japanese girlfriend and her love for her cat and boyfriends living in an equally huge metropolis of United States. Vikram Seth brought them alive very much like Abha Iyengar’s book, ‘Many Fish to Fry’. Wish she could have brought a gay relationship too within, that would made the book far more flirtatious, gay being such a taboo in India.

I remember the endless cups of Dhaba Chai , I had near Arpana Caur’s home at Siri Fort and engaging back home on endless discussions whether the Hilsa I was having is the genuine one from Padma or its a duplicate from Mynamar. You can never get a Hilsa out from a Bong but you can get a Bong and Hilsa in an amicable relationship out of Bengal.
Nandita Bose mentions rightly about many slices of life but to me they seem all connected in a rapid life scan where jugad is as infamous and acceptable as Delhi is.

Here is to Delhi, the whiskey and fried hilsa, dimmed lights, the faint aroma of my girl friend, she still lives close to somewhere there.


~Dr. Amitabh Mitra, poet and artist, author of ‘Stranger Than A Sun’

Click to purchase:

http://www.amazon.com/Many-Fish-Fry-Abha-Iyengar-ebook/dp/B00OKRD6BO

Wednesday, April 29, 2015

Guest of Honour Speech Sunday 26th April 2015 at IIC



Dear friends and fellow poets,
My thanks to Mr. Pawan Jain, Aagaman,  and Sanmati publishers for inviting me as Guest of Honour for this event, which is being held to honour poetry and those who choose to write it, in whatever form and in whichever language.
The launch to take place today is of  an English poetry anthology of poems by 45 poets, titled " Purple Hues", and  " A Phase Unknown, Woman, a Tribute” (an anthology of short stories & Poems). And Preeti Daksh’s collection " कुछ तेरी कुछ मेरी". There is also a poetry recitation contest for budding poets.
 When youthful voices are willing to experiment and produce new work, we must encourage them. For we need Poetry more than ever today when the race towards materialism and fundamentalism is hardening us, filling us with greed and hatred. Poetry brings culture and compassion, and reminds us that we do have a softer, more vulnerable side.
Poetry has one major advantage over other forms of expressions --- it shoots from one heart, straight to another heart, in fact, a few words of a poem can convey so much more than reams and reams of writing. Poems create a mood, a feeling, an atmosphere of romance, and transport us to a space where we can forget reality. But that is not all. Poetry also makes us challenge society and its repressions, its bondages, its un-fairness… makes us come face to face with the reality of our lives. It has as many varied themes as the many aspects of each individual life.
*
People talk a lot today about what is called the Indianization of English Poetry. You and I write our poems in that language. What this really means is the assimilation of English as a language into our own writing of poetry in a way that it becomes more ‘comfortable’: reaches a wider audience, is read and understood by many more, and allows more Indians to take to writing in English with comfort and freedom.
*
I am a poet first and will always call myself a poet, and I write both in Hindi and in English. This is because I can feel the rhythm of words in the air, the way they tumble over each other, waiting to be heard.
And I know, that though people applaud poets and poetry, there is not much done to further poetry either in the publishing of poetry collections or the sale of them. So, Those like Aagaman, who organize Literary and Cultural Events, and Sanmati Publishers, who encourage poetry through the publication of anthologies and collective works of individual poets, receive the gratitude of all of us who believe in poetry and its need for furtherance in today’s world.
I would like to end this address by reading out a poem of mine, on how a poem takes flight.




It is titled ‘One Poem’

A poem is fluttering its wings
The desire to fly so intense
That the body is still
In the hope of taking flight
And in the emerging silence
One can only hear this.
The fluttering of these wings
As though there echoes
In the universe the music
Of just this one poem.

I wrote it originally in Hindi, so I would also like your indulgence to allow me  to read the Hindi poem to you.
‘Ek kavita’
एक कविता अपने पँख ़फड़फड़ा रही है
उड़ने की कोशिश है इतनी तीव्र की
सारा बदन थम सा गया है,
उड़ान भरने की उत्सुकता में
और उभरते सन्नाटे में
सुनाई देता है बस
इन्ही पंखो का फड़फड़ाना
व्योम में गूंजता हो मानो
इक इसी कविता का सरगम.

~ आभा  आयंगर 'अनकही'   मार्च २००८

Whatever we do, we must always use our language with care and we should not dim the intensity of the poetic gaze.

Thank you very much and congratulations to all participants.


Wednesday, October 1, 2014

My new novel is now available for purchase

from 'Many Fish to Fry' by Abha Iyengar and out now from Pure Slush
'This was followed then with some direct talk, “I miss the hot rotis you make for me. You seem to have no time to talk to me… and the dhobi just can’t iron the shirts like you do… did.”'
from the chapter 'Coloured View'
You can buy print copies of the book here (and have FREE SHIPPING 'til the end of October 6th) ... http://bit.ly/manyfishp

and buy the ePub eBook (which can be used on many eReaders here:
http://bit.ly/ebkfish
Other eBook versions to follow!

Monday, September 8, 2014

SHAIL RAGHUVANSHI reviews SHRAYAN, my fantasy novel


SHAIL RAGHUVANSHI reviews SHRAYAN, my fantasy novel:


http://writespace4iw.wordpress.com/2014/05/04/books-and-communication-shrayan-a-book-review-by-shail-raghuvanshi-chennai-india/


Name of Book :Shrayan
Author: Abha Iyengar
Publication: Blue Pumpkin
Pages: 253

He was back to where he belonged, but he was different from within, he could sense the shift in him. He knew he would have to work with what was given to him. He would have to see for himself the qualities he had within him and try to make the most of them. He would have to live with the fact that his hooves would never go, his wide teeth would remain a part of his features, and he would have to learn to love whatever he had so that he could get some balance into his life.”
‘Shrayan’ is a revelation of what humanity has become and how it must rise from the mess it has created itself. What starts off as an ordinary novel about a man-monster creature arising from the darkness, away from the cruel gaze of the world in a forest, finally reaches the destination that was never planned but was to be.
There are two ways of perceiving this novel-
o You either see it as a novel with a protagonist who is trying hard to come to terms with a new world it is not used to, how the character encounters new people, strange situations and unknown sensations and emotions.
o Or, you see yourself reflected in a character that could be any one of us. You see a reflection of the human race, how it strives to garner all that it can for itself, hurting others in the process, losing a lot in the ordeal but still carrying on.
Due credit needs to be given to the author Abha Iyengar for creating a character that arises from the darker side of humanity- a part of which exists in all of us- suppressed into submission in some and, widely activated into negative thought and deed in some.
Like Shrayan, we all aspire to be understood, to be loved. Like Shrayan we take the help of an inherent talent or ability for comfort when trust betrays and love fails.
Like Shrayan, our human hearts desire more than they deserve and when we are denied our little materialistic, sensuous pleasures, we mess up our lives until destiny and karma eventually show us our paths. Whether that path comes just in time or too late for Shrayan, that we get to know when we reach the conclusion of the book.
Abha honestly mentions very early in the book, in the acknowledgements in fact, that a science fiction writing workshop served to be her source of inspiration for the theme of this book. Shrayan is a different kind of novel, unlike the usual stereotype. Definitely not for those expecting a normal human hero.
A perfect novel for those who love delving into a world that exists in the deep pool of our subconscious thoughts and emotions.
“He could live from day to day, take each day as it came to him unbidden, and then hope that his last breath came early and without pain. And even if it came with pain, he would not protest. He had experienced a painless non-existent life of pleasure sometime, and it had left him wanting and needing pain, to experience that he was alive, that hunger could affect him, that the sun could make him crave shelter, that the rain could prick him into a feeling of exhilaration. He was glad that he was free to feel and experience what he wanted. He was at least not beholden to anyone but himself. Even as he was, hungry and tired, he could sleep under the open sky with the moon smiling down at him and asking for nothing in return, not for his freedom, definitely.”
Beautiful lines…..
abha photo
Abha Iyengar is an internationally published freelance writer and poet. Her work has appeared in several anthologies, magazines and literary journals, both in print and online. She is a Kota Press Poetry Anthology contest winner. Her story, ‘The High Stool’ was nominated for the Story South Million Writers Award. She is a member of The Poetry Society of India and ‘Riyaz’ Writer’s Group at The British Council, New Delhi. Abha is a social activist who is against all forms of aggression and injustice. She has contributed to popular anthologies in the U.S. She is a member of The Poetry Society of India, Writing in India, and ‘Riyaz’ Writer’s Group at The British Council, New Delhi. She is editor with two publishing houses. Abha also conducts creative writing and poetry workshops. She has written several screenplays. Her poem film “Parwaaz” has won a special jury prize at the film festival at Patras, Greece and has been screened to acclaim.
Some of her other books are ‘Yearnings’ and ‘Flashbites’ available online and in bookshops.

Thursday, January 30, 2014

Review of ' The Gods of War ', my short story published in Eastern Heathens

"Abha Iyengar’s “The Gods of War” – a sophisticated, tightly-plotted 
retelling of an episode from The Ramayana – seems to suffer from a similar myopia. The male characters are without exception sexist, morally reprehensible and brutal in their treatment of women. Malini (a name associated with the “invincible” Mother Goddess Durga and her incarnation as the fierce Kali, the embodiment of shakti, or feminine empowerment) is stereotyped as emotionally volatile, cunning and vengeful: “Her eyes wild and her hair an untamed black cloud all around her. She looked like Kali” (103). What saves the story from this banal polemic is the more circumspect consciousness of the narrator, Tanya, through which the bloody gender wars that ensue are filtered. At the story’s climax she reflects, “So much death and destruction, mistrust and mutilation.
No one won such wars” (103). This formulation neatly ironises the otherwise too simplistic dialectic – while taking nothing away from the story’s powerful indictment of male chauvinism and violence in India."
~Roderick B. Overaa
East Tennessee State University, USA (His review of my story in 'Eastern Heathens: An Anthology of Subverted Asian Folklore', published in
IIUM Journal of English Language and Literature)
Here is the link: http://asiatic.iium.edu.my/article/Asiatic%207-2%20pdf%20files/Roderick_review.pdf